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Saturday, 28 March 2020

Welcome to our Covid-19 Series!

A message from Dr David Reiter, CEO / Publisher, IP (Interactive Publications Pty Ltd)


Stay tuned as we dance between COVID-19 droplets for the weeks and months to come.

With so many businesses standing down employees, public events being cancelled and so many people retreating indoors with only the Internet as a lifeline to the outside world, it's hard to be optimistic about the future.

But there will be a future, though the shape of it post-pandemic is somewhat uncertain from the perspective of this bad dream that is the present.

Poets will continue to write, painters to paint, musicians to play in synchronicity on balconies or via Zoom and other apps. Many creatives actually start from a base line of advantage. They are often introverts who choose self isolation as their environment. And things of enduring beauty grow from that redoubt.

Creatives know resilience like the back of their hand. They can feel their way out of dark spaces without a torch. They will find a way to do what they do best in spite of the depressing headlines.

But of course they are not made of words, or pigments, or drum rolls. They need to eat, feed their children, keep a roof over their heads. Handouts from government buy them time but not a living.

That's where you come in. You can help by buying their books, their artworks, their songs. There's mutual benefit in that: they create the art, and you can share in it by expressing its value through your purchases.

In the Old Economy that predated the pandemic, you might go to book launches, gallery openings, open-air concerts, and buy their merchandise directly. You knew that those direct sales benefit artists the most, and your purchase somehow prolonged the emotion of your contact with them.

But people—even those well-off in the Old Economy—have fallen into the habit of sourcing artist content through the cheapest channels, sometimes not even paying for it at all. A whole generation has grown up with the attitude that everything online should be accessible for free.

The distance imposed by the Internet between artists and their audiences only encourages this sense of entitlement in people who "consume" art rather than supporting it through attendance and subscription.

What I'm suggesting is that, in the pandemic and post-pandemic New Economy, we should do our best, within our means, to support artists directly at points as high up the supply chain as possible.

In the case of authors and book illustrators, this could mean buying their work directly—either from the creatives themselves or their publishers' online stores. Next best option is to buy through your local independent bookshop, resisting the option to source the title from those discount sites that are now second nature to our buying habits.

Publishers have a role to play in this New Economy. We will be substituting virtual means of personalising our artists' contact with you, their audience. These new methods may include more blog and vlog posts, audio samples, and podcast interviews. There may be other channels yet to be invented that will bring our artists closer to you.

So, make it personal from now on. Express your interest in the creatives you follow by buying their work at the highest point in the supply chain as you can afford. Like and Comment on their posts, and by all means spread the word. 

We'll all feel better for it.

Best,
David


Monday, 11 March 2019


Review: From Cradle to Global Citizen: finding our way in turbulent times by Lorraine Rose


Women in my Pilates class often discuss their life as new mothers. Today my instructor was describing how her normally easy-going son had started to battle with her and was having tantrums. She turned to me and asked what might be going on? The best I could offer between curl ups was encouragement to ‘be with’ him, to think what might be going on in his mind and what feelings he might be struggling with. I wished I could whip out photocopied pages from From Cradle to Global Citizen: finding our way in turbulent times.  

Lorraine Rose
Lorraine Rose’s latest book offers us insights from the world of infant mental health research, infant observation and ‘affective’ neuroscience to understand what is going on for the development of the child. She describes how As we grow our brains convert experiences into the way we relate to others, the feelings we have about ourselves and our implicit expectations of the future. We are taken into the world of being a baby and the process of being psychologically born and the consequences for the developing brain when things go wrong in early attachment. This will fascinate anyone working with, engaged in minding or being in a primary care relationship with babies, infants and children. Rose adds a plea for us also to think about the heart as well as the mind. 

Today’s parents are anxious to get it right. With the grandmother Google as their guide they joke about whether certain actions or inactions will send their child to therapy? As an experienced psychotherapist Lorraine describes her therapeutic work with several child and adult clients for whom early experiences have not gone well and the moving process of repair, of understanding the landscape of the unconscious, of returning to the painful yet profound experience of being a baby, of contacting one’s earliest anxieties and terrors. She writes of using the breath to bring into consciousness our pre-verbal injuries, to access those disowned parts of our selves held in the body ‘so we can reclaim our liveliness and bring to life those aspects of ourselves that have been dormant.’ This work is painstaking and slow, an important message in a world that favours quick fix, short-term cognitive therapy with measurable outcomes.

We all want to know to what extent the experiences of our childhood are responsible for our adult unhappiness. A compelling chapter is Lorraine’s examination of the primitive processes that lie at the heart of adult feelings of emptiness, aloneness, unfairness, injustice, feeling a fraud or stupid, self-loathing and wanting to die. She makes a strong case for spending the time reflecting on what has gone wrong in our early development.  She describes how reconnecting to these feelings in a therapeutic relationship with another’s mind to bear and think with us, has the potential to free us from the hold these events. Without this ‘we cannot take our place in the world as a grown-up who is able to relate and be a responsible citizen.’ 

What is very fresh is that Lorraine takes us beyond the child to the challenges of development for the later years, something the psychoanalytic world must now turn to face. This is a time of our greatest experience of separation – facing death. Here again we rework our earliest experiences as well as the issues that Lorraine takes up in the third part of her book- the way we are or are not participating in making the world a better place.

At times the scope of the book seems too vast, confronting us with what has gone wrong with individuals, families and society as a whole. However the strength of this broad-brush stroke is to see the infant and child in the family, the invisible forces that bear down on us from the intergenerational story and the story of the wider society. By deepening our understanding of our personal unconscious as well as the cultural unconscious we engage in repair for the individual but also connect the individual with the world. 

Lorraine’s writing is reflective, original and urgent. She dares to make the link between learning to love and our social nature as human beings with how we engage with the world. She is hopeful and demonstrates how the wellbeing of the individual is interconnected with the health of the world. ‘ What we have now learnt is that the earliest years shape our relationships in the future....To be alive is to honour our social nature and our interdependence as our greatest asset.’ Our first beginnings are more significant than we may have first thought, not just for the individual but also for community, society and planetary health.

From Cradle to Global Citizen: finding our way in turbulent times models an interdisciplinary approach to Lorraine Rose’s argument. As a result it is essential reading for all educations, psychologists and those in the helping professions and those trying to understand contemporary society, corporate culture, those developing public policy and working for global social and political change.


Jungian Analyst in private practice in Sydney, Australia

Editor's Comment: Following its sell-out launch at Gleebooks in Sydney on 28 February, Lorraine's book is available for purchase in its physical edition from the IP Store and all good book stores. It's also available in eBook editions.


Monday, 10 December 2018

Are you being served by your library?


Libraries have passed the two degree threshold that spells global catastrophe. This, despite ducted air conditioning systems. This, despite their projected image as a democratic refuge for worthy books and whatever contemporary lifeforms text find themselves in.

Try this test. Go to your local library headquarters. At the front desk, ask for the Collections Manager. Be prepared to explain what a “collections manager” is. In the unlikely event one is available, ask her to name a book – any book – she’s read recently to decide whether or not to order it in.

You might be surprised by the glazed look in her eyes.

Yes, I know. Libraries are under threat. Budgets are shrinking. Staff resources are dwindling. Librarians are trained to tame Big Data, develop profiles, analyse borrowing trends, sniff the airwaves to detect celebrity authors.

Enter a Superhero to save the day: the “library supplier”. Treating books as commodities, these companies allow librarians to outsource their primary reasons for being – to discover and curate content. Publishers plead their case with the suppliers in a pecking order from multinational to independent. 

Guess who gets the crumbs?

Are you being well served by your library? Are they helping you discover the very best in content by employing staff who actually read the books that are offered to them? Are they actively promoting new talent in your country? Would they recognise a Joyce, an Atwood, a Patrick White if it came to them from a publisher they hadn’t heard of?

Are they fearful of poetry, “literary” novels and experimental books eating up their budgets?

Here’s a case in point. Our publishing house, Interactive Publications Pty Ltd has been in business for 21 years. In that time, we’ve published more than 350 titles, many of them emerging authors who have gone to establish solid relationships with larger publishers. We’re located in Brisbane, Australia and focus mostly on Australian and New Zealand authors.

Prior to Big Data and the Call of Accountability, the Brisbane Libraries, which comprise over 30 branches, ordered most of our titles, many of them in substantial quantities. As inter-library loans took hold, the library system ordered fewer of our titles. We accepted this because our titles were still available, even if readers had to wait a bit longer to access them.

But as BCC Libraries, like many other library systems here and overseas, delegated their responsibility to curate content and to favour home-grown books to suppliers who treat books as commodities to be moved rather than read, our orders dwindled even further. Because  we felt this 3rd party supplier did us no favours, we began sending books on approval directly to BCC Library Headquarters.

We hit rock bottom recently when an Acting Collections Head determined that NONE of the new 20 titles we sent on approval met their “current requirements”. When I questioned this, her superior sought to justify the ways of God to the naive publisher by referring me to a bland policy manual. I doubt that the Acting person had read any of the books. I KNOW her superior hadn’t because they had already been returned.

There is a quiet revolution happening in our libraries. Libraries are becoming more and more like chain bookshops where you can predict what brands will be available, and discovery is increasingly a thing of the past. Libraries’ role as a curator of content has been outsourced to enterprises whose interests are more commercial than aesthetic. Curating and discovery will still happen, but in the unreliable ecosystem of internet blogs and paid for review sites. Librarians are prime targets for replacement by robots who dispense rather than analyse and evaluate, although recent strides in AI cognition may yet save libraries from becoming ATM dispensers.

And global temperatures are still rising.

Do you have any library stories to share?

Thursday, 20 September 2018

Lauren Daniels Make a Splash @ Thirroul Women Writers Festival


Lauren Daniels recently attended the Thirroul Women Writers Festival to talk about her book Serpent's Wake: a tale for the bitten
Bridget McKern, another author at the festival, was so moved by Lauren's novel that she wrote a review that we thought you might like to see. 
This is the way Lauren Elise Daniel’s book Serpents Wake infiltrated my consciousness. I would describe it as a book that reaches the depths of human suffering, sacrifice and compassion but at the same time has a fairytale quality that keeps the reader in a mystical but safe relationship with the story just like being a child having stories read at my mother’s knee.  
You know when you read a good book - you can’t put it down easily and it dwells in your waking and dreaming moments. It somehow reaches a deeper level of psychic consciousness and you feel as if you have been there before.  The cover took me in with its Celtic swirls and strange mediaeval feel. The style is interesting as not one character has a proper name ... but it works by suggestion, action and character as the story unfolds. We gradually come to know the Girl, the Captain, the Poet, the parents and villagers; the crew of the ship, all by association with the storyline.
Serpents Wake is a mythic fairy story balanced with archetypes of enough conviction of reality to really reach down into trauma experiences and the tough but sweetest learnings of love. There is a veritable company of archetypal characters besides the Girl / Heroine / Wounded Healer who is swallowed by the great serpent. To name a few: 

 The Poet, the Wolf; the Hunter; the Serpent; the Beast (human and animal); the Mother; the Father; the Doctor; (3 doctors) the Doctor’s Wife (who is an indigenous healer); the Cook; the Wounded Hero / Captain....
 I would recommend this book for heroic girls and boys (who may not yet know they are hero/heroines who have been ‘bitten’ by life circumstances beyond their control); parents of lost children; students of life; trauma counsellors and psychologists refugees, asylum seekers and aliens. 
The book is full of poetic imagery and imagination. The language has a gothic and mediaeval taste and some passages simply took my breath away with beauty.The one I wanted to keep for ever came in the love scene at the end (p. 299)‘In the bed of arms and legs, sleep softened them and made them edgeless.’I read it to my husband of fifty years and he agreed!